Thursday, 20 July 2017

A.C Film Club #3 - Tears of the Black Tiger



Stephen (Gweilo Ramblings / Eastern Kicks) and myself head to Thailand for the latest instalment of our introduction to Asian cinema which on this episode looks at possibly the most fabulous western ever "Tears of the Black Tiger".
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An Eastern Western which combines elements of romantic melodrama with John Woo style heroic gunplay and a Sam Peckinpah western to create something truly original 

We also take a look at the career of Meiko Kaji as well as the live action spectacle that is “Kaiju Big Battel” and their upcoming video game from “Super Walrus Games

Thursday, 6 July 2017

Resident Evil: Retribution



Title: Resident Evil: Retribution
Director: Paul W.S. Anderson
Released: 2012
Starring: Milla Jovovich, Michelle Rodriguez, Kevin Durand, Sienna Guillory, Shawn Roberts, Aryana Engineer, Oded Fehr, Colin Salmon, Johann Urb, Boris Kodjoe, Li Bingbing

Plot: Picking up directly after the end of “Resident Evil: Afterlife” Alice (Jovovich) now finds herself captured by the Umbrella Corperation and placed in an underwater facility which also doubles as a demonstration ground for the effects of the T-Virus. Now Alice must team up with the mysterious Ada Wong to escape the facility which is now under the control of a recently reactivated “Red Queen”.


Review: Its staggering to think at this point in the series that we are five films deep in the franchise which at this point has also gone on its own very unique path from the source material as we continue to follow the journey of Alice in her battle against the Umbrella Corporation and of course the zombie hordes created by the T-Virus. Still just when we thought the series had already gone way off the deep end Director Paul W. S. Anderson somehow manages to find a way to top it.

Seeing how the previous film ended on the fantastic cliffhanger of Alice on the deck of of the Umbrella Tanker Arcadia as she stared down a squadron of Umbrella Tiltrotors. Now half expecting the film to open with Alice being captured what Anderson gives us instead is actually something pretty special as we get to the events which transpired played out in reverse slow motion which honestly only serves to make it all the more impactful than if we’d seen it played out normally.

One of the strengths of the series has always been Jovovich’s performance as Alice a role she truly has made more and more her own with each film even designing Alice’s outfits through her own fashion line. Here though we get to see a new side to Alice as she finds herself waking up in a suburban dream life complete with husband and deaf daughter Becky (Engineer) only for dream to quickly turn into the same sort of zombie nightmare we saw at the start of Zack Snyder’s “Dawn of the Dead” remake. Here in lies the kicker for this instalment as Alice finds herself in a facility made up of large scale remakes of various cities such as Tokyo and New York which originally had been designed as a way of selling the T-virus to various countries replicating the rival country at the facility. This of course really is just an excuse for Anderson to craft a series of large scale and flamboyant action sequences as the film itself feels like one long shoot out, especially with the plot moving at such a fast pace.

The action throughout is great to look and while this entry perhaps features more heroic gunplay than previous entries with the introduction of Ada Wong here played note perfect by Li Bingbing whose performance was surprisingly dubbed well by Sall Cahill but watching the film I couldn’t tell . Ada as a character though is finally a character able to stand toe to toe with Alice and to see them working together in the film really was a thrill. Afterall why have one kickass lady when you can have two.

Each of the settings are unique enough to stand out and provides a decent change from another round of post-apocalyptic wastelands or the sterile facilities of the umbrella corporation. True none of it is shot with seemingly the slightest concern for what is realistic or not but its really hard to complain when its so much fun to have scenes such as a high speed chase through a simulated Moscow or an army of zombie soldiers. These scenes only being added to by Anderson’s visual style which here once again works really well.

This facility setting for the film also means we get to see the return of several characters such as James (Salmon) and Rain (Rodriguez) who get to return to the series as clones. Rodriguez in perticular getting to play two versions of herself as we see her playing her Strike team persona from the first film sent to hunt Alice and Ada aswell as the suburban version who plays like the complete opposite as she acts openly shocked at the idea of using guns. Yes I could have done without seeing Colin Salmon again, but then I can pretty much do without seeing him in most things., Rodriguez meanwhile is enjoyable as always and getting to see the super powered version at the end was only an added treat.

For some reason Anderson here also chooses to saddle Alice with a Deaf daughter, who its explained early on is infact a clone from the suburban simulation created to play her daughter. Of course knowing this Alice still shows a mothers devotion to the child perhaps because Anderson couldn’t find a way to morally justify dumping the kid without turning her into a zombie kid. Maybe this was just another way of working his obsession with James Cameron’s “Aliens” into the film and creating his own version of Ripley and Newt. At the same time you could also see the different settings the group travel through as being a nod to “Westworld” which was also reportedly another source of inspiration for the film.

Ending on another tantalising cliffhanger with Alice having her superhuman abilities restored and the sight of humanity making its last stand from the grounds of the fortified White House. Say what you will about Anderson as a director he really knows how to make an audience crave that next instalment.

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